MoMA Displays Post-Sandy Boardwalk Episode

Maybe it’s a bridge and not a coastal boardwalk, but the character in Munch’s pastel on view at MoMA through April 2013 pretty much sums up the experience of so many Tri-State residents in the last week.  Ironically, the privately owned drawing went up only a few days before the hurricane stormed through the region, devastating homes, beaches, and the Chelsea galleries.

Many downtown museums remain closed, including the South Street Seaport Museum, the New York City Police Museum, the National Museum of the American Indian, and the Skyscraper Museum, although the Museum of Jewish Heritage at the Battery has just announced its reopening. On the West Side, the Intrepid is closed until it can fix its inundated welcome center and repair the outdoor protective bubble around the space shuttle Enterprise, which got a little beat up. The High Line is repairing all of its electrical infrastructure.

To help the arts and museum community during this difficult week, MoMA has posted a PDF with instructions on conserving art works that have sustained flood damage and held a workshop with conservators from the American Institute for Conservation Collections Emergency Response Team for afflicted dealers and collectors this past weekend.

While the repairs and restoration will take time and with another windy storm on the way toward New York, Mr. Munch’s 117-year-old evocation remains pretty much on point.

Hirschhorn Goes Overboard at Gladstone

This may look like a Judy Pfaff installation, but it’s a close-up of the engaging, room-size environmental work by social commentator Thomas Hirschhorn on view until October 20 at Gladstone Gallery in Chelsea.

Concordia, Concordia is a riff on the tumultuous, larger-than-life grounding tumble of the Italian cruise ship, Costa Concordia in January 2012. Gladstone has other close-ups on its website, but its worth a walk over to 530 West 21st to get the full experience for yourself.

Hirschhorn was inspired by the furniture-akimbo nature of the interior photos of the luxury liner and the refusal of the ship’s captain to tend to the self-inflicted disaster.  There’s a lot to look at – including Hirschhorn’s cheeky inclusion of The Raft of the Medusa.  Look hard. You’ll find it. There’s no safe place.

Coe Multimedia Accessory Collection at The Met

Detail of Possible bag (1900) from the Coe Collection at The Met

McQueen and the Paris runways have nothing over the 18th and 19th-century Native Americans who knew how to mix unusual materials and meanings into symbolic, functional, innovative, and salable accessories. A collector with an eye for the interesting is honored in the Met’s Michael C. Rockefeller wing in the micro-show, The Coe Collection of American Indian Art.

Ted Coe of Santa Fe was inspired to collect both ancient and contemporary works by Native Americans that caught his attention, amassing thousands of pieces that he bequeathed to the Met. He mounted a truly innovative show at AMNH in 1986, which linked old and new traditions in Native American art making, Lost and Found Traditions: Native American Art 1965-1985. The Met’s curators decided to honor his work by selecting forty objects.

Detail of Arikara Leadership shirt (1860) from Coe collection at The Met

The show isn’t all about wearable art, but we decided to focus on a few details that you might find of interest. We’ve organized the Flickr feed to document some of the oldest to the newest creations on display, ranging from mid-Mississippian carved stone tools from 4,000 B.C. to the cheeky dough bowl (1994) made by Chochiti potter Diego Ramirez.

In between, you’ll see an array of sophisticated and rough creations made by artists from the 1700s to early 1900s for Native American leaders, nomads, and tourists – all designed, embellished, and crafted in a variety of materials. Who knew that nuns taught Canadian tribal artists to embroider with moose hair? Enjoy the details.

Afghanistan in MoMA’s Atrium

Afghanistan is in the house as part of MoMA’s tribute to Italy’s art povera superstar in their soon-to-close exhibition Alighiero Boetti: Game Plan. Although Boetti’s retrospective takes up room on MoMA’s other floors, it’s the Afghanistan-made kilims and other art works that really serve as the focal point of the visitor experience. Check out the photos.

Get there to see the series of embroideries on tissue and the grid-within-grid rugs with patterns designed by art students and woven by Afghan artisans. Up until the Soviet invasion in 1979, Boetti worked with artists there to carry out intricate woven collaborations – including over 150 maps of the world. Boetti traced the maps on canvas and let the weavers add whatever text they wanted and pick all the colors. A few are on display here, and you can hear a pretty amazing description about the logistics of Boetti’s collaborations from MoMA curators in a short audio.

Installation view of Alighiero Boetti map (1979), embroidered by Afghani craftswomen

You’ll enjoy the densely packed embroidery Everything, and the amazing tapestry of the thousand longest rivers in of the world (1976-1982). It took Botetti and his wife years to classify all of the rivers, and if you’ve ever seen this on display before at MoMA (it’s in their collection), it’s an amazing textile that never fails to draw a crowd.  You’ve got to see it in person.

Check out MoMA’s interactive site for the exhibition, but run over to examine all the Afghani creations up close. Enjoy the trip.

What’s Up with Those Dots, Yayoi?

You’ve seen them everywhere over town…the enigmatic dotted signs with the face of Yayoi Kusama peering out. During Fashion’s Night Out, the Vuitton store was ablaze in polka dots, all a tribute to this reclusive Japanese pop-art sensation who burst upon the Manhattan art scene in the 1960s.

This is the last weekend to see her retrospective in person at The Whitney, but if you can’t make it, enjoy the Vuitton collection that she inspired (they’ve created a whole website).

Take a peek into the show.

And click on this link to see a documentary clip about this Kusama’s life. Be surprised and find out how to merge into infinity!

How di Suvero Makes Steel Move

Rust Angel sculpture (1995) by Mark di Suvero at the edge of the Parade Ground at Governors Island

Even if you haven’t caught the monumentally good outdoor installation of Mark di Suvero’s work on Governors Island (check out the photos), the folks at Storm King Art Center are making sure that you don’t miss it.

Thankfully they asked filmmaker Dirk Van Dall to capture how it was all transported down the Hudson from Storm King’s 500-acre campus an hour north of the City. The short film follows di Suvero around the Island to inspect the (literal) heavy lifting.

In 2010, di Suvero won National Medal of Arts, and in the film he talks about his lifelong fascination with steel, his early employment at the Fulton Fish Market, how neighborhood kids inspired him to begin creating large-scale fun works, and how he makes the seemingly immobile move. Listen in.

Drop in at the Governors Galleries this weekend to talk with the Storm King folks, and join their walking tour of the works at 2pm.

Girls Who Wear (Google) Glasses

DVF’s Look #17 for Spring/Summer 2013

When Diane von Furstenberg and her models walked the runway at NYC’s recently concluded Fashion Week, they decided to give the world an inside peek at how it feels by recording the experience with Google Glass, the still-in-Beta avant-eyewear.

The innovative accessory shoots video, snaps pix, streams messages, and apparently looks good, so Diane decided to snap on the specs and take you with her (and her posse) on a fashion-tech flashbulb-popping stroll.

What’s cooler than Diane’s embrace of the new? Her Spring/Summer 2013 collection and her attitudes about life, potential, and empowerment. Take a look. Thanks, Diane!

What Happens (to Dresses) after Fashion’s Night Out

Everyone enjoyed the party atmosphere last Thursday during Fashion’s Night Out, with beautiful people, clothes, and accessories on display and tributes to retail and design history. (Check out the Flickr feed of the action on Madison and down Fifth.)

But what happens when the party ends? That question is what inspired two curators from Saratoga Springs to create a micro-show from fashion museum cast-offs — Tattered and Torn (On the Road to Deaccession).

Empire Historic Arts Fund (founded by curators Rodney DeJong and Michael Levinson) gathered together less-than-perfect examples of 19th-century couture and used the abandoned rooms of the Governor’s Galleries on Governors Island to evoke the passage of time for fashion, finery, and fanfare. Rooms that once housed the U.S. Coast Guard as recently as the 1960s felt far older, perhaps due to the dreamlike state evoked by the presence of peeling paint, claustrophobic rooms, and props with which the curators surrounded their proud mannequins.

When you enter, the dresses look glamorous, but upon closer inspection, you can see that the silk has peeled away, seams have come apart, and the total elegance that must have accompanied these dresses’ debuts has passed into history. Take a look.

Considering the $250 budget for this installation, the curators have done a fine job of paying tribute to the history of fashion, creating a memorable experience on the Island, and letting us meditate on the still-beautiful details of fabric and design up close in a quiet place.

(The show is tucked away the far east side of the Island, beyond the Parade Ground, in Building 315 facing the Brooklyn waterfront. It’s the last building on your way toward Yankee Pier.)

Virtual Trip to Design Island

Let me guess. You didn’t get to see the spectacular design show that ended yesterday on Governor’s Island. While their mansion up on 91st Street is being renovated, The Cooper-Hewitt (a.k.a. Smithsonian) outdid itself by mounting a show inside Building 110 on New York Harbor’s hottest party-picnic location.

Graphic Design: Now in Production gathers great design produced since 2000 to feature what creative minds are offering. The summertime crowd loved it, and people flowed right from the ferry into the show and through the aisles where works were grouped around themes like storefronts, branding, typography, and print (it lives!). Check out the action on the Flickr feed.

The show is vibrant, interactive, mind-blowing, provocative, and fully documented in a 10-minute walk-through video with the curator Elleln Lupton that pretty much replicates the experience.

If you’re in LA, the show opens September 30 at UCLA’s Hammer Museum before migrating in 2013-2014 to Grand Rapids, Houston, Winston-Salem, and RISD.

Among our favorites are Brand New’s display, which asks visitors to vote (“before” or “after”) on redesigned corporate logos, and CognitiveMedia’s “RSA Animate: Changing Education Paradigms.”

Get Out Your Credit Cards for FNO

Better use the holiday weekend to rest up, since Fashion’s Night Out happens next Thursday!

The tents are going up at Lincoln Center, the stores are getting ready for the onslaught, and the NYPD is gearing up for crowd control everywhere in the City.

Check out the New York event listings at the web site, or (if you’re not in NYC that night) the FNO worldwide or elsewhere US sites. Hey, there are even events planned in Wyoming and online, so there’s no excuse not to shop, contribute to a cause (by buying stuff from the collection), and have fun all night!

If you’re in NYC, start early, have a strategy, and be prepared for crowds. The web site lets you sort the 800-plus events by neighborhood, shopping category, and the type of event you’re hankering for (pop-ups, fashion shows, new product launches, charity-focused, DJs, designer appearances, and block parties).

Check out the video to get in the mood.