Virtual NYC Museum Events – Women with a Message, Pop Shop History, and Toxic Titan

Gloria Steinem and Julie Taymor at Asia Society on Monday

So many virtual NYC museum events are happening online this week – an opportunity to meet amazing women, bring organization to your life, attend a premiere at The Met, and get the inside story on Saturn’s moon, Titan. Check the daily listings on our virtual events page to for these events and details on many, many others.

Today (January 25), at 6:30pm, you can join an exciting event at Asia Society – a conversation with Gloria Steinem and director Julie Taymor, followed by a panel of visionary activists discussing how visionary women are serving as agents of change as people in our world grows more interdependent.

Tuesday talk at Japan House

Is it time to pare down? Purge stuff? Feel more organized? On Tuesday (January 26), at 6pm, join Japan House to hear Fumio Sasaki talk about how to live a more ordered, fulfilling life – all included as part of the theme of his new book, Habit-Making: A Minimalist’s Tips for a Better Life.

At 7pm, enjoy The Met will debut a music and film collaboration on the life of Armenian-American abstract painter Arshile Gorky, who immigrated with his family in the early 20th century and influenced a generation of abstract expressionists. Watch the digital premiere of They Will Take My Island.

Curious about why Manhattan has such a big park in the center of the island?

Wednesday history of Central Park (NYHS)

On Wednesday (January 27), at 3pm, hear the New-York Historical Society talk about the origins of Central Park. You’ll get to see what’s in the NYHS archive, view the plans for its design, see construction photos, and learn about the shocking removal of Seneca Village, a thriving African-American community.

At 6pm, you can learn about more recent history with the Brooklyn Museum. Amy Raffel will talk about her latest book on the legendary Keith Haring, how he created New York’s most popular memes, and what he sold in his famed downtown retail experiment, the Pop Shop.

Composite infrared image of Titan from NASA’s Cassini spacecraft. (University of Arizona/University of Idaho/NASA/JPL)

At 7pm, join planetary scientists at the Haden Planetarium at AMNH to examine Titan, Saturn’s large but toxic moon. Understand the questions scientists are trying to answer, and whether Earthlings have lessons to learn from their solar-system neighbor.

Love gardening?  Why is that? On Thursday (January 28), spend the morning at the New York Botanical Garden with UK psychiatrist-gardener Sue Stewart-Smith, who will share insights revealed in her book, The Well-Gardened Mind – how people’s minds and gardens interact.

Gardens at the New York Botanical Garden

Get a perspective that you’ve never had before from people you’ve never met – participants in a ground-breaking filmmaking workshop. At 6:30pm on Thursday night, go behind the scenes at MoMA P.S.1 to meet the organizers of the workshop and watch films made by imprisoned artists in “Pens to Pictures” – a media showcase that accompanies P.S. 1’s art exhibition, Marking Time: Art in the Age of Mass Incarceration that critics at The New York Times said was one of 2020’s best.

At 8pm, join the New York Public Library to hear Amber Ruffin, one of the funniest women in late-night TV, and her sister Lacey Lamar compare notes on hilarious and harrowing experiences with racism in New York City and Nebraska – all drawn from their new bestseller, You’ll Never Believe What Happened to Lacey

Yes, it’s serious, but it’s also really, really funny.  Amber’s first African-American woman to write for a late-night network show, and if you’ve seen her with Seth Myers, you know what we’re talking about. Don’t miss this!

There’s a lot more, so check our complete schedule. Most of the events are free, but it’s always nice to add a thank-you donation.

Mexican Muralists and The Whitney Rewrite Art History

1932 Zapatistas by Alfredo Ramos Martínez. Courtesy: San Francisco Museum of Art

When you enter the Whitney Museum exhibition, you’re surrounded by tropical settings, Oaxacan beauties, lush floral compositions, and the romance of Mexico. But a few steps beyond, Vida Americana: Mexican Muralists Remake American Art, 1925–1945  delivers epic struggles, monumental murals, revolutionary fervor, inspirational triumphs, and heroic views of everyday people.

It’s the most important art exhibition currently on view in New York, on view through January 31, because it shows how three acclaimed, radical Mexican artists – Orozco, Rivera, and Siqueiros – influenced a generation of artists in the United States with their commitments to public works, no-holds-barred graphic depiction of social injustices, and masterful, innovative techniques.

Diego Rivera’s 1931 fresco The Uprising – everyday people showing heroism in extraordinary times. Private collection

Take a tour through the show on the Whitney exhibition site, listen to the audio guide, and see some of our favorite works here.

The paintings, photos, and films in the first gallery celebrate a romantic vision of Mexico’s native heritage alongside works evoking poignant, sometimes violent moments in the country’s recent revolution. It’s a rich experience, with modernist photos by Modotti, evocative footage by Eisenstein, and riveting works by Khalo, Rivera, and Alfredo Ramos Martínez.

Orozco’s 1930 mythic mural Prometheus for Pomona College, California

But just beyond, you’ll glimpse galleries that promise deeper stories of emotional, turbulent, modernist angst. A half-scale reproduction of Orozco’s mythic Prometheus mural occupies an alcove, surrounded by works by artists he inspired –Jacob Lawrence’s pictorial history of African-American northern migration in 1910-1940 and Jackson Pollack’s early Thirties paintings that channel Orozco’s depiction of writhing life forces.

Take a look at The Whitney’s introduction to Orozco, Rivera, and Siqueiros, which shows life in Mexico at the time they developed their distinctive styles, gained international acclaim, and came to the United States:

Another startling Pollack reveal lies in the Siqueiros gallery that tells the story of the experimental workshop that the Mexican master ran in New York, where New York artist were encouraged to experiment with airbrushes, stencils, and paint splatters.

Pollack’s 1937 airbrushed litho Landscape with Steer – influenced by his workshop with Siqueiros. Courtesy: MoMA

Siqueiros was big on pushing the boundaries and using modern materials to create truly revolutionary work. Pollack’s experiments are here, along with the revelation that workshop participants were encouraged to lay unstretched canvas down on the floor and work from above. Sound familiar?

The magic of this exhibition is the side-by-side mounting that allows visitors to ponder the many ways that young Depression-era US artists took so many of the lessons of the Mexican muralists to heart.

Detail of 1939-1940 Charles White Progress of the American Negro: Great American Negroes. Courtesy: Howard University

The exhibition goes on to chronicle artists who were inspired to tell epic stories of the American frontier and forgotten African-American success stories. In one room alone, you can pivot and take in expansive, monumental paintings by Thomas Hart Benton, Aaron Douglas, and Charles White.

Another section of the show looks at Diego Rivera’s fascination with American industrialization and assembly-line workers, including a wall-size video of Rivera’s 1932 mural of Detroit’s Ford assembly line. The adjacent gallery shows his influence through WPA-funded works by Ben Shahn, Phillip Evergood, Thelma Johnson Streat, Marion Greenwood, and others. Gears, machines, heroic workers, and strivers in an industrial age.

Reproduction of Rivera’s 1934 mural Man, Controller of the Universe, originally created for Rockefeller Center

A “wow factor” at the far end of the gallery is the reproduction of the infamous Rivera mural commission for Rockefeller Center that was destroyed due to Rivera’s refusal to take out Communist references. You experience the uproar it caused by reading original newspaper clippings and magazine articles. When his work was destroyed, Mexico City’s Palace of Fine Arts invited him to recreate it. That’s the reproduction at the Whitney, giving everyone a chance to experience a piece of lost New York art.

Many exhibition visitors miss one of the most satisfying components of the show – a three-channel video of the murals done by a host of painters (under Rivera’s direction) in a market in Mexico City. Walk to the right corner of the big Rivera mural and step inside the Abelardo L. Rodriguez Market to see murals created by Ramón Alva Guadarrama, Marion and Grace Greenwood, Noguchi, and others:

Virtual NYC Museum Events – Art, Activism, and Fun

Andre Leon Talley and Darren Walker at MAD on Tuesday

Nearly all of this week’s virtual museum events in New York are packed into Tuesday, Thursday, and Friday to make way for Martin Luther King’s birthday and the inauguration. So, check the daily listings on our virtual events page and dive into interesting sessions on African-American innovators and artists, art with a conscience, and flat-out fun.

1969 anti-Nixon poster from the Poster House archive

On Tuesday (January 19), it will be hard to choose: At 5pm, you can join MAD Museum at 5pm to hear a conversation on equity and design between author and style guru Andre Leon Talley and Ford Foundation president Darren Walker.

At 5:30pm, you can join Poster House and NY Adventure Club for Democracy on Paper to review political posters from the Sixties and Seventies from the museum archives.

At 6pm, New-York Historical Society hosts an in-depth look at Harriet Tubman’s life with biographer Erica Armstrong Dunbar, and the Whitney offers a program on art and social change, illustrated with works from its collection.

Book discussion on Tuesday at the Schomburg Center

At 6:30pm, join author Catherine E. McKinley at NYPL’s Schomburg Center for Research in Black Culture to see and hear about 100 years of African women’s style and looks, as featured in The African Lookbook.

At 8pm, join the Museum of the City of New York for a special trivia contest with the MCNY curators.

On Thursday (January 21), several programs begin at noon – a lunch hour session at the Staten Island Museum on the work of famed social realist artist Raphael Soyer; a tour of the Georgia O’Keeffe Museum in Santa Fe, courtesy of the Newark Museum of Art; and a tour of the Whitney’s amazing photography exhibition, Working Together: The Photographers of the Kamoinge Workshop.

Take a tour of the Whitney’s Kamoinge Workshop show on Thursday

At 2pm, meet the New York Transit museum for Underground Heroesa look at how transit was portrayed in satirical cartoons, comic strips, and comic books.

At 6pm, join the American Folk Art Museum for a fun “drink and draw” session on New York landmarks.

There’s a lot more, so check our complete schedule. Most of the events are free, but it’s always nice to add a thank-you donation.

Museum Updates

We joined the marathon on-line session with Neil deGrasse Tyson this week to hear his year-in-review on astronomical and planetary science. The AMNH chose to produce this via Zoom, so everyone was able to see who was asking the fascinating questions and allowed Neil to have some fun interactions, just as he does at his sold-out events.  Lots of geeky questions and answers for over two hours!

Diego Rivera’s 1931 fresco “The Uprising” in the Whitney’s Vida Americana: Mexican Muralists Remake American Art, 1925-1945

We also joined the weekend crowds at The Whitney to see the epic work again in Vida Americana and see the beautiful photographs of the Kamoinge Workshop.

To end the week, we watched Andrew Bolton describe the work behind creating the Met’s unusually prescient fashion exhibition, About Time: Fashion and Duration. Check out the YouTube (already posted!) on what it took to design this unforgettable exhibition.

Virtual NYC Museum Events – Stars, Cocktails, and Social Discourse

It’s a packed week with over 35 virtual events planned by New York City museums, featuring evenings with celebrities, conversations about society, the future of museums, and even an escape game. Find the daily listings for everything on our virtual events page.

Scandals recounted in the Tenement Museum’s Tuesday YouTube Live book talk

Tomorrow afternoon (January 12) at 6:30pm, the Fraunces Tavern Museum again collaborates with the Keeler Tavern Museum & History Center to explore the role apples played in food, drink, and the economy of colonial and revolutionary America in the continuing “Tavern Tastings” series.

At 7pm, the Tenement Museum hosts Tyler Anbinder, to talk about his book, Five Points: The 19th Century New York City Neighborhood that Invented Tap Dance, Stole Elections, and Became the World’s Most Notorious Slum.

Mystical transformation with St. Francis and the Morgan Library on Wednesday

 At 8pm, travel to the mountains of Arizona with the Newark Museum, whose planetarium experts host an evening of stargazing with Steward Observatory’s Mt. Lemmon SkyCenter.

On Wednesday (January 13) at 2pm, train fans can take a rare trip deep into the Transit Museum archives.

At 5pm, art fans can travel back to the 15th century with the Frick Collection to explore Bellini’s painting St. Francis in the Desert.

At 6:30pm, the Center for Brooklyn History (formerly Brooklyn Historical Society) hosts a discussion and book talk “The Authoritarian’s Playbook,” which links 20th century history with the events of the last week.

AMNH’s Neil deGrasse Tyson will summarize 2020’s important space news on Wednesday. R. Mickens/© AMNH

At 7pm, you’ll have to choose between three equally compelling events:

  • The astronomical year-in-review with Neil de Grasse Tyson at AMNH
  • A talk with David Byrne and Maira Kalman about their new American Utopia book at the Museum of the City of New York
  • The “standing ovation” meet-up at Poster House featuring an array of posters of the world’s most celebrated theatrical performers and five cocktails to match.

    MCNY hosts collaborators David Byrne and Maira Kalman on Wednesday. Photos: Jody Rogac, Cyndi Stivers

On Thursday (January 14) at noon, visit the Salman Toor painting exhibition at the Whitney, and at 3pm, see (and hear about) nature paintings in the collection of the New-York Historical Society.

At 6pm, enjoy a delicious trip to Naples with the Museum of Food and Drink, and dip into the Poster House archives at 6:30pm. At 7pm, join the escape game at the Newark Museum’s historic Ballantine House.

Brian Clarke’s stained glass panels at MAD

There’s more on Friday and Saturday, so register for as many of the topics and events that you can fit into your schedule.

On Saturday at 2pm, be sure to join MAD to meet acclaimed architectural artist Brian Clarke, whose work is on display for the next month. Don’t pass up this chance to encounter a legend and hear about the entire scope of his incredible international body of work.

And a reminder for Sunday (January 17): at 1pm, take a tour of the incredible costume exhibition at the Metropolitan, About Time: Fashion and Duration. Even if you’re in New York, it’s not easy to snag a ticket to this show, so the virtual visit is the next best thing.

Most of the events are free, but it’s always nice to add a thank-you donation.

At MoMA, 1923 Gum department store lightbulb ad by Rodchenko and Mayakovsky’s ad agency

Museum Updates

We visited MoMA this past week for last looks at the Felix Feneon, textile, and Judd exhibitions. The galleries were full of visitors looking at the Parisian posters, African carvings, Seurat and Matisse paintings, Anni’s loom, and Judd’s super-slick sculptures.

As hard as it is to say good-bye to these three terrific shows, we encourage you all to visit the latest at MoMA – Engineer, Agitator, Constructor: The Artist Reinvented.

About Time: Fashion and Duration tour on Sunday

Lots of Russian avant-garde, typography and collage running wild, and branding in the early 20th century that you’ve never seen quite like this.  The extensive exhibition uses many works from the little-seen Berman collection, so you’ll be in for some surprises when you see it.

Although its virtual events are still happening, the Museum of the City of New York has announced a temporarily closure on Fifth Avenue for some emergency construction work.

Online Museum Events – Virtual Trips to the Sixties, the 20th Century Limited, and the Arctic

Poster by Bonnie McLean for Fillmore Auditorium July 1967. Courtesy: Bahr Gallery

New York City museums are kicking off the first week of the New Year with a look at music and transportation history, far-away places (on Earth and beyond), and artist hang-outs. Find the daily listings for everything on our virtual events page.

Tomorrow afternoon (January 5) there are two fun historical programs: at 4pm, you can take one last look at the New-York Historical Society’s great rock-and-roll extravaganza (which ended yesterday!), Bill Graham and the Rock & Roll Revolution. If you did not get to see the exhibition, don’t miss this … psychedelic posters, the story of the Fillmore East and West, how Bill’s artists got booked for Woodstock, how The Last Waltz concert happened, and lots of photos of the legendary stars he promoted.

The streamlined 1947 lounge car for the 20th Century Limited.

At 5:30pm, you go back a little further in time. Join New York Transit Museum educator Joe Hartman to hear the incredible story of the legendary 20th Century Limited luxury train that ferried celebrities between New York’s Grand Central and Chicago’s LaSalle Street Station in high style for decades. Learn all about how red-carpet obsessions were born.

On Wednesday (January 6) at 7pm, hang out with a few hundred science geeks at the monthly SciCafe at the American Museum of Natural History. This month’s topic is Arctic Dragonflies with museum curator Jessica Ware, who will explain how these little guys keep from freezing. The Q&A is always fascinating with this group, so stick around for that part of the program, too!

Reproduction of Orozco’s 1930 Prometheus mural at The Whitney

On Thursday, (January 7), delve into great art: at Noon, the Whitney presents a look at the three Mexican muralists – Orozco, Rivera, and Siqueiros – whose passion and techniques inspired a generation of socially conscious artists of the Thirties and Forties. Find out more about their work in the United States and hear how Pollack, Benton, Noguchi, Lawrence, and many others learned at the feet of the masters in this talk about the blockbuster Vida Americana exhibition.

Jesse Wine, 11:10 am / 15.10.1983 / 75 Heath Lane / Chester / United Kingdom / CH3 5SY, 2020, installation view

At 7pm, take a trip to the Sculpture Center to meet Jesse Wine, see highlights of his solo show in Long Island City, and hear about his past work and inspirations.

Many more programs are on the schedule, so register for as many of the topics and events that you can fit into your schedule. Many of the events are free, but it’s always nice to add a thank-you donation.

Folk Art Museum Tells 85 American Stories

Eliza Gordon, as she arrived in 1833 for her first job at a New Hampshire textile mill

When you enter the exhibition American Perspectives: Stories from the American Folk Art Museum Collection, on view at Lincoln Square through January 3, you may experience a nostalgic feeling seeing images of early Americans, spectacularly pieced quilts, and finely carved wooden relics of bygone eras.

But the purpose in bringing all of these small masterpieces together is to present the in-depth stories behind the creators and subjects, which adds a completely different, lively layer to the journey through the three galleries – tales of itinerant portrait painters, stagecoaches along America’s first turnpikes, independent women surviving husbands and adventures in the Wild West, and back-country singing masters making their own teaching tools from roots and berries.

1790 love letter drawn by Christian Strenge, a former Hessian mercenary who settled in Pennsylvania

The stories make each work come alive, taking you back to the founding of America, looking at how people moved around in the Nation’s early years, made social-justice and political statements through their art, and used their artistic skills to transform their lives. 

The first section of the show has several works with early German immigrants, many of whom came to America as Hessian mercenaries fighting for the British and stayed as citizens, using their artistic skills to pen intricate love letters and embellish important documents.

Portraits come alive as you see the fresh face of a 20-year-old mill worker (Eliza Gordon) who just arrived to take on her first independent job after leaving the family farm, portraits of new arrivals from the East Coast (the Bosworth siblings) who were starting new lives in up-and-coming Illinois, or a wife (Mrs. Bentley) committed to abolition who ran a famous spa in upstate New York in the early 1800s.

1983 Freedom quilt by Jessie B. Telfair of Parrott, Georgia

It’s not always easy to tell just from looking when works were made, and many come from the 20th century, often from a period later in the artist’s life – the drawing made by a Romanian immigrant (Ionel Talpazan) who used his art to work out his experience with a UFO as a child, the artist (Jessie B. Telfair) who made quilts in the Eighties to channel her feelings about being punished for registering to vote in Georgia in the Sixties, and a painter (Lorenzo Scott) whose portraits cast Atlanta beauties as Renaissance royalty whose style impressed him when he hung out at the Met in the years he lived in New York.

1918 Coney Island carousel horse by Charles Carmel and 1965 Workers’ Holiday by Ralph Fasanella

In the stories told about artworks involving far-away destinations, we learn that sea captain portraits were used as substitutes for husbands gone for years at a time, that many 18th-century students learned geography by copying intricate maps of exotic animal habitats, and that overhead rail was the magical mechanism that brought working-class people to the over-the-top fantasy destination of Coney Island.  

The curators point out that the grand 1888 Grover Cleveland quilt was created by a woman who was a passionate political supporter. The quilt was her way of casting a vote for her favorite candidate, even though she did not yet have the right to vote. She even used the red-bandana campaign swag as the center!

Next to this, there’s a masterful “quilt” made out of wood by New Orleans artist Jean-Marcel St. Jacques, an Afro-Creole artist living in Treme.

Detail of 2014 wood “quilt” by Katrina survivor Jean-Marcel St. Jacques, Mother Sister May Have Sat in That Chair When She Lived in This House Before Me

The spectacular wall-sized work is pieced together from pieces of furniture that he salvaged from his home following his neighborhood’s devastation by Hurricane Katrina. Some of it pre-dated his residency, so the assemblage contains layers and layers of local history.

The final gallery contains works by people who used art to transform their lives ­– one of the thousands of abstract drawings made each night in West Virginia by Eugene Andolsek to relieve his workplace stress, and a large tiger with a personality carved and painted by Felipe Benito Archuleta, who was out of work in the Sixties and began carving animals to sell in Santa Fe.

1977 Tigere by Felipe Benito Archuleta

His whimsical creations not only led to a wildly lucrative art career, but jump-started an entirely new direction for the New Mexico art market.

These tales are only a few of the 85 told by this exhibition.  Download all the stories here, and enjoy some of our favorite works of art in our Flickr album.

Exhibition curator Stacy C. Hollander provides a virtual tour and shares some of her favorite stories about early-American artists and 19th-century travelers in this video below.

Stacy provides lots of background on Eliza Gordon and what her work was like in the textile industry. The video also tells the incredible story of Emma Rebecca Cummins (maker of the crazy-quilt trousseau robe), who was married four times, lived in five Eastern and frontier states (also Canada!), and worked as one of the first female Western Union telegraphers out West.

Enjoy getting to know the backstories of some of the incredible artists among the 85 featured in this tribute to American working artists, activists, and visionaries:

Genius Artist Reinterprets Brooklyn’s Native American Archives

Moccasins at the feet of 1904 Dying Indian sculpture by Charles Cary Rumsey. On Gibson’s mural, a study for Rumsey’s Manhattan Bridge buffalo-hunt frieze.

The Brooklyn Museum invited a MacArthur genius to dig through its vast Native American collection and archives, use it alongside his own thought-provoking contemporary art work, and take visitors minds for a spin. The colorful, creative, memorable results are on display across three galleries in Jeffrey Gibson: When Fire Is Applied to a Stone It Cracks, on view through January 10. Take a look in our Flickr album.

Gibson, a big thinker whose heritage is Choctaw/Cherokee, does work that challenges people to think differently about Native Americans today and to question the assumptions about their “disappearance” from the national dialogue. Flying above art-world silos, he works at large and small scales, employs colleagues who are experts in beadwork and mural making, and shows art-gallery works as well as more conceptual projects.

Custom 19th and early 20th-century moccasins from the Brooklyn Museum collection.

His Brooklyn show begins by presenting a monumental 1904 “Dying Indian” bronze by Victorian-era classical artist, Charles Cary Rumsey, and an array of moccasins from the museum’s collections made by unknown tribal artists in the late 19th and early 20th centuries.

To the right, there’s a giant stained-glass work that says, “Whose World Is This? It’s Yours It’s Mine.” To the left, there’s a colorful gallery packed with Gibson’s contemporary art work, and historic beaded, painted, and pieced items made by tribal artists.

Scores of museum visitors who exited Brooklyn’s Studio 54 show were captivated by Gibson’s dynamic installation, entered, and explored.

Gibson’s stained-glass Whose World Is This? It’s Yours It’s Mine. Private collection.

Below the massive statue, Gibson wants us to witness how carefully Native American makers created and customized footwear for specific practical purposes and ceremonial occasions for specific individuals. Unfortunately, the beautiful beadwork and deft, custom designs by tribal craftsmen are unattributed – a contrast to the society artist’s imposing vision of Native Americans who are sad, vanquished, and gone.

To change the statue’s narrative, Gibson asked contemporary Pawnee/Cree artist John Little Sun Murie to design moccasins for the figure atop Rumsey’s horse, so the rider is now presented as an individual member of an historic tribe – not just a generalized stereotype. Listen as Jeffrey talks about moccasins:

To drive home the point that Victorian-era artists and anthropologists incorrectly generalized and romanticized Native Americans, Gibson adds two other small bronzes and a study for Rumsey’s buffalo-hunting frieze made to embellish the entrance to the Manhattan Bridge. (Just ignore the fact that the Lenape didn’t hunt buffalo on our shores!) His beaded works say it all – “I Don’t Belong to You” and “You Don’t Belong to Me.”

Gibson’s 2018, Tribes File Suit to Protect Bears Ears.

In the second gallery, Gibson shows his own recent creations with those bought on early 20th-century expeditions and added to Brooklyn’s ethnographic collection.

Gibson’s bright, geometric murals – which complement the museum’s vintage geometric-patterned tiled floors – provide a joyful backdrop for a brightly colored Seminole jacket, beaded hats, and other art. Gibson’s new paintings, sculptures, and patchwork garments use beads, colors, and messages on fabric – contemporary statements that hearken to the creativity and innovation of these unattributed artists. Take a look:

Ba:lawahdiwa, Zuni’s governor, and his family in 1890

The final gallery presents other artifacts and art that Gibson curated from museum’s vast Native American holdings, expedition records, and archives, and contrasts them with some of Gibson’s recent photography.

A large case displays a range of commercial, ancient, and ceremonial pots, expedition photographs, and drawings of Pueblo life made by expedition artists over 100 years ago. In one instance, Gibson reunites several photos of a Zuni family, normally stored apart from one another the museum’s archives.

Gibson relishes showing how Native American artists still thrive today and how over the centuries they have adapted their materials and creativity for both commercial art-markets and their own expressive purposes.

Gibson’s 2019 photo Regan De Loggans. Courtesy: Gibson & Sikkema Jenkins

For example, he features a photograph of a young early 20th-century Navajo weaver, creating traditional Indian” rugs for a trading post with new, more colorful materials that Mr. Hubbell supplied. Gibson also unearthed a tourist map on where to find different California tribes and buy their wares – a direct rebuke to the concept that all these people “vanished.”

Best of all, Gibson also features several gorgeous recent photographs, including tribal artist-activists.

Visit Jeffery’s studio in this video produced for the 2019 Whitney Biennial. Hear him talk about his evolution, his creative process, and his team up in Hudson:

No Monolith but Judd’s Works at MoMA Deliver the Power

1968 stainless steel and Plexiglass tower (Froehlich Collection)

For anyone lamenting the disappearance of the Monolith and yearning to experience its minimalist magic, walk through MoMA’s Donald Judd retrospective before January 3 to understand how big, gleaming, super-sleek objects create such electrifying force fields.

Initially, journalists speculated that the Utah Monolith was the work of West Coast artist John McCracken. It wasn’t, but Judd was one of McCracken’s art-world heroes – a master who reveled in pure shape, pure color, and (when he wanted to) pure transparency. Judd also built repeating rectangles (seemingly not created by human hands) in remote western landscapes (Marpha, Texas).

On MoMA’s top floor, you’ll encounter wide, open spaces with spare, clean hard-edged objects inhabiting four galleries.

1964 construction of orange pebbled Plexiglass and hot-rolled steel. Private collection.

In the first room, you’ll see cadmium-red shapes from the early Sixties that Judd made in his Soho studio. The idea was to remove any gestures or evidence of craft in the work – just present the pure painted shape.

But to get the perfection he craved, Judd went one step further – engaging industrial fabricators to create large-scale works from his meticulous drawings. Industrial materials like aluminum, iron, and Plexiglass are transformed into magical rectangles, epic towers, and airy channels. See our favorites in our Flickr album.

In each gallery, visitors are invited to circumnavigate and explore the monumental works. One orange box seems to glow; another has a transparent surface that lets you peer inside. An enticing series of blue and silver boxes seem to let you peek through to an entirely different dimension.

1969 “channel” of aluminum and Plexiglass units (Saint Louis Art Museum)

Towers emerge from walls in each room – neat stacks of monumental rectangles, separated by exact amounts of space. It’s quite a sensation to approach one, look up, and feel its commanding presence. One silver tower seems to be emitting yellow light. A copper tower gleams a little from a subtle spotlight.

Judd wanted it this way – no interpretation. Just you and the large, beautiful, perfect form, as this short video demonstrates:

MoMA cautions visitors to remain at least six feet away from each of the works, but most admirers are cautious and reverent, taking it all in and giving everything its space.

Here, curator Ann Temkin talks about Judd’s work and the joy of bringing such a monumental exhibition to New York:

Take a trip through the installation on MoMA’s website here, and hear artists describe their experience of the show here.

Holiday Season Virtual Museum Events with Food, Drink, and Discussion

Everyone loves chocolate. Here, a Staffordshire chocolate pot (1755-1770). Collection: The Met

Ramp up for the holidays by joining in some special (and delicious) virtual events hosted this week by New York City museums. Find the daily listings for everything on our virtual events page.

Tomorrow (December 8) at 6:30pm, come to a tavern tasting with chocolate! Join the program by Keeler Tavern Museum in Ridgefield, Connecticut (co-hosted by Fraunces Tavern Museum), who will explain the history of chocolate in the colonies (and beyond!) and share a recipe you can make and sip during the program.  Be sure to sign up a day ahead of time.

Illustration of 19th c. holiday food to be discussed at Merchant’s House Museum

On Wednesday (December 9) at 6pm, travel back to 1843 with the Merchant’s House Museum to see how holiday food cited in A Christmas Carol was adapted to 19th century American kitchens. In “From the Kratchit’s Kitchen,” you’ll not only meet a food historian but hear selected readings by Mr. Dickens himself!!

Poster House virtual event held inspired by  The Swiss Grid exhibition

At 7pm, take a winter break with the crew at Poster House, featuring a scintillating blend of mixology and posters!  In honor of the exhibition, The Swiss Grid, you’ll be whisked away to fabulous Alpine ski chalets (via posters), while you learn how to create four great cocktails. Everything you need to mix cocktails is posted on the event page.

Also at 7pm ­– the Museum of Food & Drink hosts “A Sweet Mexican Hanukkah” with chef Fany Gerson (the artist behind Fan-Fan Doughnuts), who will share the culinary connections between her Mexican and Eastern European heritage, and show how to make strawberry jelly doughnuts.

1930s Macy’s Christmas truck toy at NYHS

Are you wishing you could visit New York for the holidays to see the decorations?  At 8pm (December 9) sign up with the New-York Historical Society and let the Bowery Boys lead you on a virtual tour to explore how people celebrated the holidays in old New York at all the familiar places – department store windows, ice rinks, and Times Square.

If you want to participate in virtual events on a more serious note:

Today (December 7) at 5pm, the New-York Historical Society is hosting a discussion on how revising “American history” while the American revolution was happening affected the course of events.

Climate change wall at AMNH, which hosts a panel on the Paris accord on Wednesday

At noon on Wednesday (December 9), the American Museum of Natural History hosts an international powerhouse panel on climate change, climate goals, and the Paris agreement. Don’t miss this global discussion with Mary Robinson, the former president of Ireland, and performance by music icon-activist Patti Smith.

Many more programs are on the schedule, so register for as many of the topics and events that you can fit into your schedule.

Most of the events are free, but it’s always nice to add a thank-you donation.

1928 Demuth painting, I Saw the Figure 5 in Gold, part of the Alfred Stieglitz Collection at The Met – which resisted modernism for a long time

Museum Updates

This week online, we went to the premiere of the film that portrays Washington’s farewell at Fraunces Tavern, and got to meet the director and from three amazing Revolutionary actors who portrayed Washington, Knox, and Tallmadge.

We also attended the Tenement Museum’s program discussing the lives of an Irish family living on the Lower East Side in the 1860s, the Met’s Making the Met discussion on 1929 and modernism (now on YouTube), and a special members-only event on the Rubin’ Museum’s new online digital collection of Himalayan art. Check it all out.

ICP Reveals What’s Been Going On since March 2020

2020 photographs displayed by month

For months, people have noticed that days get blurred, months speed by, and time feels warped. Why is this happening?  The answer is on the walls of the International Center of Photography in a must-see exhibition, #ICPConcerned: Global Images for Global Crisis, on view through December 31.   

You’ll see images contributed from 70 countries between March and October 2020. ICP simply reached out to its network in March and April (when the museum had to close) to request images via the hashtag that showed was happening in their part of the world.

March images by Brooklyn’s Farras Abdelnour and NYC’s Claudine Williams

By April, 10,000 images had been submitted to ICP, mostly dealing with pandemic response, adjustments to routines, the need to quarantine, and at-home isolation pods. By May, the number of submissions had doubled.

But in the coming months, social-justice protests filled the streets, hurricanes swept shores, wildfires turned night skies orange, Beirut exploded, the pandemic kept grinding on, and the photos just kept flowing to the inbox at 79 Essex and onto the Instagram page.

Artists contributed thousands of photographs illustrating the ways COVID has changed life around the world, and images of hospital workers, families cocooning at home, and life in the public space. The exhibition is an affirmation how artists sustain creativity in troubled times and during protest.

Listen to David Campany, managing director of ICP’s programs, explain:

If you visit the museum in person at 79 Essex, you’ll experience why you’ve been feeling a little time-disoriented.  As you walk through the months, you’ll be amazed to see how many disruptive or charming events everyone has been experiencing on an extremely compressed time scale.

April images from Karen Epstein (Kingston, NY), Morfi Jiménez Mercado (Lima, Peru), René Treece Roberts (Ashville, NC), and Lisa Sorgini (Australia)

It’s enormously satisfying to look through the #ICPConcerned images on ICP’s website and Instagram feed, but visiting the exhibit in person is the only way to experience fully the time-compression effect – walking, seeing, reading, reflecting, letting your eyes scan floor to ceiling, noting the places and dates. By the time you hit August and September, you’ll wonder, “Did all of that really happen since May?”

Also, the playlist wafting in from Tyler Mitchell’s nearby show only enhances your journey through the participatory show.

September photo by Janet Sternburg of Los Angeles

See the ICP installation of 1,000 contributed photos in our Flickr album.

#ICPConcerned has such a simple installation, but walking through it has a powerful effect. The only other museum installation that offers this much temporal disassociation is the Met’s About Time, but that’s done with a giant pendulum, hall of mirrors, a Phil Glass score, and intonations by renowned actresses.

It’s quite a credit to the ICP and the thousands of sharing photographers that they’re able show the weight (and whimsey) of the world as we’re living it in such spectacular form with just a hashtag, a free-spirited community deep-dive, and a push-pin budget.

In October  – Teach Peace | Greenwich Village by Eli Haies-Grunwald and Keepers of the Land by Rehab Eldalil of South Sinai, Egypt

See all the captions and images on the exhibition website. Have fun looking at the submissions by country here.

Many photographers contributed stories about their images and experiences. See and hear them here.

Want to be part of it all? Share your own images on Instagram with the tag #ICPConcerned