Prehistoric Book Debuts

The art biography that the paleo community has been waiting for is here – Charles R. Knight: The Artist Who Saw Through Time. It’s about the artist who was the first to take us all into his time machine, back to the time of the cave people, saber-toothed cats, and the Cretaceous through his paintings and murals that we grew up with at the AMNH and Chicago’s Field Museum.

At this month’s New York Paleontological Society meeting, we got to meet his granddaughter Rhoda Knight Kalt and author Richard Milner, who provided stories, recollections, and art works of the 19th-century sculptor and painter. Milner took us back in time, reminding us that Knight (1874-1953) came of age when North America’s mammals (like Bison, which were down to 1,100 in 1889) and birds were being hunted into extinction – a call to arms that stuck with Knight throughout his life, as he painted over 800 species in his lifetime, giving priority to the most endangered first.

In addition to the murals at the AMNH and the numerous paintings gracing the halls, Knight also drew the Bison on the old $10 bill, the sculptures on the Bronx Zoo’s Heads & Horns house, and dinosaurs, dinosaurs, dinosaurs, inspired initially by a three-week visit with Cope.

Milner reminded us that in Knight’s day, there were no museum dioramas or 3-D dinosaur skeleton mounts — just a Brooklyn artist with a classical education with a love of animals and a commission from AMNH to create dramatic, convincing images based upon the boxes of bones in the basement.

P.S. We would be remiss if we didn’t tell you to check out Milner’s Broadway-oriented tribute to the life, times, and philosophy of Charles Darwin at The New York Times video site.

Hey, Hey It’s the ‘60s!

You have two more weeks to explore the fab, new tribute to the Mod, Mod world of 1960s fashion at FIT’s grad-student-curated exhibit Youthquake! The 1960s Fashion Revolution.

If you can’t make it to Seventh & 27th Street, check out the paper dresses, boutiques, and YouTube videos from the era, all posted on the exhibition web site. What’s better than watching original Paco Rabanne and Andre Courreges fashion movies from the late 60s, Grace Slick, and Ready, Steady, Go?

And what about the Youthquake timeline!!

Closes April 7, but it’s open until 8pm Tuesdays through Fridays.

MoMA’s Best-Ever Social Media Event

Always ahead of the curve, probably the most innovative, fun, addictive social-media experiment by a museum in New York has been created and curated by the Museum of Modern Art. Why is MoMA out-doing everyone else? Because MoMA’s social network is on paper!!!

If you’ve strolled through MoMA’s lobby lately, you’ll see the biggest crowds (after the admissions line) gawking at a wall where MoMA projects digital scans of some of the 18,000 slips of paper filled out by visitors, all beginning “I went to MoMA and…”.

And what greater tribute to the success of this two-dimensional throwback in a hyper-connected world: MoMA featured some of the best in its full-page print ad in this past week’s Museum supplement in The New York Times (yes, that’s the newsprint edition).

Hilarious, touching, artistic, inspirational, and everyone looking, reading, and enjoying — isn’t that what we want our social media to be? Check out the pieces of paper on line.

 

 

Last Look at Soon-to-Close Theater Museum

Friends enjoy reviewing the wall of 1900s showgirl cards, showing scantily clad actresses in “classical” garb

With Rick McDonald at the piano of the 1924 speakeasy, Bill’s Gay Nineties, last Thursday night, the crowd was singing, the joint was jammed, and dozens of hungry diners were climbing the stairs to sit in the gaslight glow of the second-floor dining room, packed with carefully preserved playbills, theater cards, and lithographs of the men and women who built the foundation of the American theater and founded the form that is American popular entertainment — George M. Cohan, Buffalo Bill Cody, Enrico Caruso, Tony Pastor. The list goes on and on.

This temple to theater, created in the 1920s by the original Bill’s wife, a former Ziegfeld girl, is about to close on March 24.

How fortunate that we met a master vaudevillian and Coney Island sideshowman, Todd Robbins, who (between a few tableside magic tricks) walked us through the history of the place, the legacy of the hundreds of show people gazing down on our dining table, and stories of how George Burns, Jack Benny, and the pantheon of American entertainers found solace around Bill’s piano (just like us) in decades past.

How comforting to be amongst other time-travelers in this unique and soon-to-be-gone living, breathing archive of the last 150 years of American entertainment. Take a walk around Bill’s with us. These Flickr photos are sometimes a little blurry and hard to make out, but they seem appropriately evocative for a room, history, and gathering spot that will soon be like the celebrities on these walls…fading but important memories of spectacular, vibrant nights spent singing and sharing the high points of the latest Broadway debut.

The Art World Comes to Your Neighborhood Through Sunday

Ready, Set, Go!!  It’s  Armory Arts Week, when New York City hosts curators, collectors, critics, and artists from all over the world.  Line up at Piers 92 and 94 (at 55th Street) and dive into The Armory Show, one of the best people-watching events all year.  Thursday to Saturday, the two piers are open and packed full of modern and contemporary art from Noon to 8pm daily (closing at 7pm on Sunday). And don’t ignore the eleven other art shows going on in Manhattan.

Never venture out of your own six-block radius? Now you have an excuse to use your MetroCard. Take advantage of over 75 free public art events in a different neighborhood each night – Tonight (Thursday) is Bronx Day and Soho Night. On Friday, enjoy Long Island City Night; on Saturday, Chelsea Day/Brooklyn Night; on Sunday, the Lower East Side and Downtown.

Visit artists studios, check out museums at night, pop in on alternative spaces, listen to podcasts touring subway-station art, and rub shoulders with the peripatetic global art crows. It’s a City-wide celebration!

Struthiomimus Gets No Respect —

— From The New York Times. Although it was a fantastic article in yesterday’s Science Times about the real reasons for “the death pose”, no one saw fit to give our friend, S. altus credit for his amazing contortion.  Yes, the photo is of a cast, but still…c’mon people…AMNH 5339 is one of the most-seen, most admired dinosaur fossils on the Fourth Floor of the American Museum of Natural History.  Why not slap a name on him in the NYT “Twisted” caption

To add insult to injury, check out the hyperlink title:  “archeopteryx fossils appear twisted but not because of agony”. Maybe I’m being sensitive, but some long-limbed Saurischian residents of Manhattan (Ornithomimids) deserve their “15 minutes of fame” truth-in-reporting as others. Do 12,000 visitors each weekend pay as much attention to S. altus (genuine and nearly complete skeleton) as to our Archeopteryx casts? Absolutely, so give this guy some credit, please.NYC Upper West Side resident Struthiomimus

Check out the nice story and obscured (and wrong in the metadata) pictoral identity of Struthiomimus online:

http://www.nytimes.com/2012/03/06/science/archaeopteryx-fossils-appear-twisted-but-not-because-of-agony.html?_r=1&ref=science

Get to Harlem, Chelsea, and the Met to See These Before They Close

NYC museum and gallery shows are near the end.  Closing on:

March 11 – The Bearden Project at the Studio Museum of Harlem (144 W 125th)

March 17 – Pace Gallery’s amazing Chelsea show about Happenings of the late 1960s (it’s extensive to plan to spend time (534 W 25th)

March 18 – The Renaissance Portrait show at the Metropolitan Museum of Art