Georgia O’Keeffe’s Modern Living

How do you turn a 200-year-old adobe home into a temple of mid-century modern design? See how Georgia O’Keeffe did it in Artful Living: O’Keeffe and Modern Design, an exhibition available on-line and at the GOK Museum’s Welcome Center near her home and studio in Abiquiu, New Mexico through January 31, 2026.

When Georgia bought her second New Mexico home in 1945, it was a wreck. All the better, for her to envision the possibilities of her dream house. Why was she obsessed with this? It had a home garden and irrigation, a placita in the center of the house with a working well, the iconic black door in the red wall, and an incredible view of the stunning landscape (and Pedernal).

Todd Webb’s 1962 photo Georgia O’Keeffe and Chows in Abiquiú Garden with Georgia in a striped Marimekko dress.

By collaborating for the next four years with her friend and project manager Maria Chabot, the property was transformed into a showcase for everything modern – furniture, fabrics, lamps, tableware, and (eventually) architectural innovations like skylights, gigantic picture windows, and open-plan living.  To keep her creative sparks going, Georgia never stopped rearranging, adding, and switching things up.

The exhibition space is small, but provides a tight curated selection of Georgia’s things accompanied by great photos of her interiors over time.

Balthazar Korab’s 1965 photo Abiquiú House, Indian Room with Noguchi lamp and Eames chair.
1960s Akari Lantern, a gift from sculptor and designer Isamu Noguchi with Krysta Jabczenski’s 2019 photo of her living room arranged as she left it in 1984.

The furniture is front and center, made by a who’s who of American 20th century designers.  After all, as one of the recognized greats of modern American painting, the designers were often her friends, too. Simple, clean, modern lines – that’s what Georgia liked. But she loved design innovations, too.

No wonder she was captivated by the innovative BFK (“Butterfly”) chair designed by a trio of Argentine architects in 1938. She ordered one from Knoll, used it on her patio, and sometimes took the cover off just to admire the frame. And she bought several LCW chairs by her friends, Charles and Ray Eames – the molded-plywood marvel that defined a design decade.

1940s LCW Plywood Lounge Side Chair designed by Charles and Ray Eames for Herman Miller – the first chair in the Eames’ molded plywood series.
Don Worth’s 1958 photo Georgia O’Keeffe with Chair with 1938 metal and cotton Butterfly Chair for Knoll Associates.

But perhaps her most-used piece was the versatile BARWA Lounger – perfect for laying back and listening to classical music or looking at the stars during a summer camping trip to the badlands. The aluminum frame made it light enough to strap to the top of her car.

1940s BARWA Lounger designed by Edgar Bartolucci and John Waldheim of BARWA Associates; Georgia relaxed here while listening to classical music.

Of course, Georgia loved her rock and bone collections, but she also collected practical items for her home that epitomized mid-century design.  Why not select a Finnish design innovation that you could adjust to get the light just right on your work desk or still life? Or use a sleek, modern, see-through coffee maker to prepare your morning cup of Bustelo? Pure bliss.

Finnish design: 1960s metal Luxo Lamp designed by Jac Jacobsen.
Everyday modern design: 1950s Chemex coffee maker designed by Peter Schlumbohm for Chemex.

The curators also want us to remember that modern design principles also extended to Georgia’s dress preferences.

Three cool cotton dresses by Anika Ramala for Marimekko – 1963-1965 Varjo dress, 1961 Karutakkj dress, and 1963 Asumistakki dress.

When she wasn’t posing for the most famous photographers against the red rocks of New Mexico in her black hat and wrap dress, she preferred wearing loose-fitting Marimekko dresses.   A working studio artist could really move in them to prepare canvases, rehang paintings around the house, or carry around stuff in the pockets. Never mind that the dresses from the popular Finnish design house were marketed as the finishing sartorial touch for any modern Sixties interior.

Feel free to revisit our past blog post about the wildly successful traveling exhibition about Georgia’s fashions here.

See some of our favorite photos, furniture, and items in our Flickr album.

Two of her best friends and travel buddies were Alexander and Susan Girard. Georgia always welcomed the small textiles that Alexander Girard gifted her. Although she never adopted his revolutionary conversation-pit seating, she did get out the sewing notions and turn his iconic designs into small throw pillows placed lovingly (and colorfully) throughout her house. She also covered her kitchen work surfaces in Marimekko oil cloth to make it pop, too.

Visit this fantastic design exhibition on line here, and read more about each of Georgia’s mid-century modern choices.

For more, listen to Giustina Renzoni, the museum’s curator of historic properties, discuss how Georgia turned her modern sensibilities into a legendary high desert home:

And if you’re really interested in what Georgia had in her closet, the next time you’re in New Mexico, sign up for that new extra-special tour!

Video still of Georgia O’Keeffe’s Abiquiú home and her philosophy about home design

Relax in Denver’s Modern Mexican Chair Collection

2023 A Family of 4 red oak side chairs by LANZA Atelier (Isabel Abascal and Alessandro Arienzo).

Everything you could want from a design exhibition is packed into Have a Seat: Mexican Chair Design Today at the Denver Museum of Art through January 12, 2025 – history, context, videos, inspiration behind the designs, and…

Did we mention that you get to sit on the chairs?

The creative lighting and gallery layout invites visitors to take a journey that reflects Mexico’s ancient and colonial history – just like the work of the 22 designers featured here.

Everything on display is part of the Denver Museum’s permanent design collection,

The museum has created an environment that’s engaging and fun, so visitors seem to take time to read about the designers and the history of Mexican furniture while they sample the diverse range of furniture (“it’s more comfortable than it looks!”) as they wind their way through the clean, modern installation. View it all in our Flickr album.

Laura Noriega’s 2012 Your Skin chair made of walnut, handwoven cotton, and synthetic fabric, combining Japanese woodworking and Mexican textiles.

As you enter, you’re greeted by a tiny carved Guatemalan figurine from 300-100 CE, showing the type of simple thrones from which Olmec rulers or religious leaders might sit – a backless seat. Ancient civilizations are the inspiration for the innovative seats made by the first set of designers.

Some of these humble-looking stools by Camilia Apaez and HABITACIÓN 116 are made from stoneware, basalt and volcanic ash – harkening back to landscapes, environments, and simplicity that resonates with these forward-looking 21st century designers. 

Camila Apaez’s 2002 stoneware Room in the Cave seats – inspired by deep associations with Paleolithic and Neolithic architecture and ceramics.
Raúl Cabra’s 2009 Bamboo seats made from carizzo reeds; video shows public seating.

Visitors are invited to sit and experience the enjoyment of relaxing in each of the exhibition areas – and many couples and families do!  It’s nice to sit and watch the large-screen videos that take you on a trip around Mexico, showing you modern and traditional public seating areas along city streets and town squares.

Not all of the stools are minimalistic, proven by the creations of Aldo Alvarez Tostado, who turned from architecture to making smaller pieces that enabled him to work with traditional Mexican weavers and woodworkers to invent seats that are run and new.

Aldo Alvarez Tostado’s 2022 Little Horse stools, made of wool and synthetic horsehair.

The second section of the show features the history and modern interpretation of easy chairs – comfortable seating that invites visitors to stay and enjoy. There’s an upscale Spanish Colonial chair to demonstrate traditional European design roots, surrounded by Ricardo Casas’s classy designs and Mauricio Lara Eguiluz’s funny foam take on the Yucatan’s Chac-Mool Mayan deity (always reclining comfortably!)

But if truth be told, all the visitors are having the most fun flopping onto the super-comfortable recycled “stuffables” by Andrés Lhima!

An array of comfortable easy chairs – the 2013 Clara design by Ricardo Casas and the 2005 polyurethane foam Chac Seat by Mauricio Lara Eguiluz
Andrés Lhima’s fun, portable easy chairs – comfy 2011 plastic mesh Fidencio chairs filled with shredded foam and recyclables.

The final section pays tribute new takes on the Spanish side chair, comparing a 19th-century classic with high-style sets by Oscar Hagerman and La Metropolitana and outrageous reinventions by Estaban Calcendo Cortés. You can feel the Afro-Colombian rhythms in his woven palm chairs.

A highly decorative painted 1800s Mexican side chair.
2022 Palapa side chairs by Estaban Calcendo Cortés – inspired by Afro-Mexican and Colombian cultures

To learn more about the designers and their inspiration, scroll through the exhibition guide.

And this beautifully designed show would not be complete with an out-of-the-box participatory woven-wicker design section for kids of all ages!

2023 El Charco environment by Mestiz for visitors to contemplate design and the environment, including the wicker Cactus of a Thousand Eyes and Great Two-Headed Viper.