Holiday Rush for Christopher Columbus

Greeting visitors in his apartment 75 feet in the air

Greeting visitors in his apartment 75 feet in the air

It’s the holiday season in New York, with art lovers rushing to see the spectacular apartment that Tatzu Nishi has created (courtesy of The Public Art Fund) for Christopher Columbus, the man at the center of things near the Time-Warner Building.

He’s been standing atop that column since 1892, so it’s about time that he had us over to see his taste in décor, books, and light TV viewing.  Here’s the Flickr feed, which takes you on a 360-degree view of his digs.

Who knew Captain Columbus was into pop culture? He even has a copy of one of Andy’s early cat lithos in his bookcase. Enjoy the holiday views that Columbus is enjoying, and get your free tickets now, because you won’t be seeing the City from this view again!

What Columbus is reading inside his apartment

What Columbus is reading inside his apartment

235 Years of Veteran History in a High-Tech Park

Open again after the hurricane, best-kept-secret BLDG 92 has opened its doors to honor veteran, industrial, medical, and military history at the Brooklyn Navy Yard Center.

The stunning displays of over 235 years of history in New York Harbor inside are nothing compared to the experience of traipsing around by bus and foot to poke in and around the mix of crumbling 19th-century architecture, active dry docks, overgrown campuses, historic streets, and state-of-the-art sustainable design.

Take a look at the sights seen during the sunny days of summer on the Flickr feed, and book your trip now. It’s an adventure to get there (subways aren’t exactly close), but you will feel amazing to walk in the footsteps of so many heroes of American history and innovation, like Commodore Perry, Dr. Squibb, the North Atlantic Command for WWII, and Rosie the Riveter.

If it all feels and looks a little like a back lot, it is. (Boardwalk Empire shoots at the Steiner Studios and SNL builds sets there.)

Check out the photo of the tugboat under repair in the third oldest dry dock in the country – right where the Monitor was built for combat during the Civil War.  And if you’re a Navy history buff, immerse yourself in BLDG 92’s Flickr stream courtesy of the National Archives, stereoscopes and all.

What have you been missing?  Just check out this video, and then go see the real thing on foot, by bus,  by bicycle, or on an industrial tour:

Do-It-Yourself Fashion Alphabet

Christian Dior, dress in satin, 1954, France, gift of Sally Cary Iselin.

You’ve probably been too busy looking for electrical outlets below 34th Street to have noticed that today is the last day of the exhibition Fashion, A-Z: Highlights from the Collection of the Museum at FIT, Part Two.

Don’t worry, because as your power (and Internet) comes back on, you can get your fashion fix via FIT’s new digital archive that lets you surf by alphabet to see all the famous designers and dresses that are in the collection. Search by designer or brand, they’re all there.

The gallery show has the outfits arranged A (for Adrian with a MoMA-inspired creation) to Z (Zoran) in its upstairs gallery. The curators often placed two designer ensembles side-by-side, emphasizing the original designer (for example, Dior) and the younger designer who took over creative duties for the house over time (for example, YSL for Dior).

It’s a treat to see side-by-side examples of new and old Hermes (featuring Gaultier vs. the Kelly bag), Valentino, Balmain, Kenzo, YSL, Dior, and Comme des Garcon creatives.

Charles James, evening dress in silk taffeta and net, 1955, USA, gift of Robert Wells In Memory of Lisa Kirk.

Is Charles James still the reigning world champion? Take a trip to Seventh Avenue today or start surfing fashion history to make your own determination.

MoMA Displays Post-Sandy Boardwalk Episode

Maybe it’s a bridge and not a coastal boardwalk, but the character in Munch’s pastel on view at MoMA through April 2013 pretty much sums up the experience of so many Tri-State residents in the last week.  Ironically, the privately owned drawing went up only a few days before the hurricane stormed through the region, devastating homes, beaches, and the Chelsea galleries.

Many downtown museums remain closed, including the South Street Seaport Museum, the New York City Police Museum, the National Museum of the American Indian, and the Skyscraper Museum, although the Museum of Jewish Heritage at the Battery has just announced its reopening. On the West Side, the Intrepid is closed until it can fix its inundated welcome center and repair the outdoor protective bubble around the space shuttle Enterprise, which got a little beat up. The High Line is repairing all of its electrical infrastructure.

To help the arts and museum community during this difficult week, MoMA has posted a PDF with instructions on conserving art works that have sustained flood damage and held a workshop with conservators from the American Institute for Conservation Collections Emergency Response Team for afflicted dealers and collectors this past weekend.

While the repairs and restoration will take time and with another windy storm on the way toward New York, Mr. Munch’s 117-year-old evocation remains pretty much on point.

NYC High Line Wilderness Being Swept Away

It’s not going to be swept away by Hurricane Sandy…We’re just alerting you to the fact that the last section of the High Line looping the West Side Rail Yards is about to undergo its final construction transformation from 30th Street up to 34th Street, right across the street from the Javits Convention Center.

As soon as the hurricane subsides, crews will start transforming the railroad-bed wilderness into a beautiful promenade designed by James Corner Field Operations, Diller Scofidio + Renfro, and planting designer Piet Oudolf. The City acquired the property from CSX Transportation this summer – the final piece of rail property to complete the High Line vision.

Earlier this month, the High Line opened up this final frontier to foot traffic as part of Open House New York, and we’re providing a last virtual look on the Flickr site.  Enjoy the trees, the views, the historic photos, and graffiti of the old elevated railway before the skyscrapers start rising over the old Penn Central yards.

And be sure to find the theropod dinosaur lurking in the weeds above Eleventh Avenue!

Hirschhorn Goes Overboard at Gladstone

This may look like a Judy Pfaff installation, but it’s a close-up of the engaging, room-size environmental work by social commentator Thomas Hirschhorn on view until October 20 at Gladstone Gallery in Chelsea.

Concordia, Concordia is a riff on the tumultuous, larger-than-life grounding tumble of the Italian cruise ship, Costa Concordia in January 2012. Gladstone has other close-ups on its website, but its worth a walk over to 530 West 21st to get the full experience for yourself.

Hirschhorn was inspired by the furniture-akimbo nature of the interior photos of the luxury liner and the refusal of the ship’s captain to tend to the self-inflicted disaster.  There’s a lot to look at – including Hirschhorn’s cheeky inclusion of The Raft of the Medusa.  Look hard. You’ll find it. There’s no safe place.

Coe Multimedia Accessory Collection at The Met

Detail of Possible bag (1900) from the Coe Collection at The Met

McQueen and the Paris runways have nothing over the 18th and 19th-century Native Americans who knew how to mix unusual materials and meanings into symbolic, functional, innovative, and salable accessories. A collector with an eye for the interesting is honored in the Met’s Michael C. Rockefeller wing in the micro-show, The Coe Collection of American Indian Art.

Ted Coe of Santa Fe was inspired to collect both ancient and contemporary works by Native Americans that caught his attention, amassing thousands of pieces that he bequeathed to the Met. He mounted a truly innovative show at AMNH in 1986, which linked old and new traditions in Native American art making, Lost and Found Traditions: Native American Art 1965-1985. The Met’s curators decided to honor his work by selecting forty objects.

Detail of Arikara Leadership shirt (1860) from Coe collection at The Met

The show isn’t all about wearable art, but we decided to focus on a few details that you might find of interest. We’ve organized the Flickr feed to document some of the oldest to the newest creations on display, ranging from mid-Mississippian carved stone tools from 4,000 B.C. to the cheeky dough bowl (1994) made by Chochiti potter Diego Ramirez.

In between, you’ll see an array of sophisticated and rough creations made by artists from the 1700s to early 1900s for Native American leaders, nomads, and tourists – all designed, embellished, and crafted in a variety of materials. Who knew that nuns taught Canadian tribal artists to embroider with moose hair? Enjoy the details.

Afghanistan in MoMA’s Atrium

Afghanistan is in the house as part of MoMA’s tribute to Italy’s art povera superstar in their soon-to-close exhibition Alighiero Boetti: Game Plan. Although Boetti’s retrospective takes up room on MoMA’s other floors, it’s the Afghanistan-made kilims and other art works that really serve as the focal point of the visitor experience. Check out the photos.

Get there to see the series of embroideries on tissue and the grid-within-grid rugs with patterns designed by art students and woven by Afghan artisans. Up until the Soviet invasion in 1979, Boetti worked with artists there to carry out intricate woven collaborations – including over 150 maps of the world. Boetti traced the maps on canvas and let the weavers add whatever text they wanted and pick all the colors. A few are on display here, and you can hear a pretty amazing description about the logistics of Boetti’s collaborations from MoMA curators in a short audio.

Installation view of Alighiero Boetti map (1979), embroidered by Afghani craftswomen

You’ll enjoy the densely packed embroidery Everything, and the amazing tapestry of the thousand longest rivers in of the world (1976-1982). It took Botetti and his wife years to classify all of the rivers, and if you’ve ever seen this on display before at MoMA (it’s in their collection), it’s an amazing textile that never fails to draw a crowd.  You’ve got to see it in person.

Check out MoMA’s interactive site for the exhibition, but run over to examine all the Afghani creations up close. Enjoy the trip.

What’s Up with Those Dots, Yayoi?

You’ve seen them everywhere over town…the enigmatic dotted signs with the face of Yayoi Kusama peering out. During Fashion’s Night Out, the Vuitton store was ablaze in polka dots, all a tribute to this reclusive Japanese pop-art sensation who burst upon the Manhattan art scene in the 1960s.

This is the last weekend to see her retrospective in person at The Whitney, but if you can’t make it, enjoy the Vuitton collection that she inspired (they’ve created a whole website).

Take a peek into the show.

And click on this link to see a documentary clip about this Kusama’s life. Be surprised and find out how to merge into infinity!

How di Suvero Makes Steel Move

Rust Angel sculpture (1995) by Mark di Suvero at the edge of the Parade Ground at Governors Island

Even if you haven’t caught the monumentally good outdoor installation of Mark di Suvero’s work on Governors Island (check out the photos), the folks at Storm King Art Center are making sure that you don’t miss it.

Thankfully they asked filmmaker Dirk Van Dall to capture how it was all transported down the Hudson from Storm King’s 500-acre campus an hour north of the City. The short film follows di Suvero around the Island to inspect the (literal) heavy lifting.

In 2010, di Suvero won National Medal of Arts, and in the film he talks about his lifelong fascination with steel, his early employment at the Fulton Fish Market, how neighborhood kids inspired him to begin creating large-scale fun works, and how he makes the seemingly immobile move. Listen in.

Drop in at the Governors Galleries this weekend to talk with the Storm King folks, and join their walking tour of the works at 2pm.