MoMA’s open again, and as the sun comes down daily, a sparkling, tinkling, gleaming landscape created by Korean multimedia artist Haegue Yang comes alive in the Museum of Modern Art’s multistory atrium.
Giant, stylized animalistic sculptures glide across the space, carefully guided by a black-clad dozen performers who appear every day at 4 p.m. for the one-hour activation.
Handles is a dreamscape world, where six large sculptural pieces inhabit an atrium enlivened by reflective biomorphic shapes climbing playfully up the walls.
When the performers move them, the giant sculptures, sheathed in a neat layer of bells, subtly chime to a soundtrack of tweeting birds and a tranquil symphony. Magic that soothes museum goers into a contemplative state.
The piece reflects Haegue’s growing interest in using choreography and sound to build a sensory experience for art viewers. Gradually, she’s incorporated performers moving in geometric patterns, pulling oversized sculptures across and around the space, in a modern take on utopian Triadic Ballet-style movement.
Environmental phenomenon, geopolitical stresses, and modern art pioneers all factor into her work. Read MoMA’s interview with her here.
There’s plenty of time to see Handles, which will be activated for MoMA visitors through April 12, 2020.
See more photos of the installation on Flickr and watch a few moments of the performance here.